A video longer than one generation
Each clip starts on the frame the last one ended on, so the run carries on instead of jumping.
Every video model tops out under ten seconds. Your agent chains clips by taking the closing frame of each one and handing it to the next as its first frame, then joins the run into a single file.
You say: "Make me a 30 second continuous shot walking through this room."
Three steps to have your agent running this
- Connect Bildy at
https://bildy.ai/mcpand sign in with your Bildy account. Setup per client. - Copy the text below and save it as
.claude/skills/continuous-video/SKILL.md, or paste it into whatever your agent reads for instructions. - Ask for what you want. Your agent reads the skill and follows it.
Bildy tools this skill calls
- videos_list_models
- videos_generate
- videos_get_job
- videos_extract_frame
- videos_compose
- videos_get_edit
The whole file
--- name: bildy-continuous-video description: Build a video longer than one generation by chaining clips, taking the last frame of each one as the first frame of the next so they carry on from each other instead of jumping, then joining the run into one file. Use when someone wants a video longer than 10 seconds, a continuous shot, or a clip that keeps the same character or room the whole way through. --- # A video longer than one generation Every video model tops out somewhere between four and ten seconds. Asking for thirty seconds gets you nothing, and generating three separate clips gets you three clips that jump at the joins, because each one invents its own opening frame. The way round it is to hand each clip the frame the previous one ended on. ## The loop, one clip at a time 1. Generate the opening clip with `videos_generate`, or animate a still they already have. Poll `videos_get_job` until it is done and keep the link. 2. Call `videos_extract_frame` on that link with `frame: "last"`. Poll `videos_get_edit` until it is done. You now have a picture of the final frame. 3. Generate the next clip with `videos_generate`, passing that frame's link as `imageUrl`, and a prompt describing only what happens next. 4. Repeat from step 2 for as many clips as the video needs. 5. Join the run with `videos_compose`, passing the clip links in order, and poll `videos_get_edit` for the finished file. ## Writing the prompt for a middle clip The model can see the frame it is starting from, so the prompt is about what changes from here. "She turns away from the window and walks towards the door" works. Describing the room again wastes the prompt and sometimes makes the model rebuild it slightly differently. Carry one style line through every prompt, the same way you would for stills: the light, the film stock, the lens. Without it you get a different look by the fourth clip even when the frames line up. ## Tell them what it will cost before you start Four eight-second clips is thirty-two seconds of video, and video is the expensive part. Call `videos_list_models` first and multiply. The frame extractions and the join together cost a few credits, which next to the generations is nothing, so the clip count and the model are the whole bill. Generate the first clip and show it before you run the other three. If the look is wrong, it is wrong in all four. ## Where the chain breaks The last frame of a clip is often the blurriest one in it, because the model was mid-motion. A blurry first frame makes a soft second clip. If that happens, pull a frame slightly earlier by passing a number of seconds to `videos_extract_frame` instead of `"last"`, and lose a fraction of a second at the join rather than the sharpness. Faces change over a long chain. Four clips is usually fine, eight is pushing it, and by then the person at the end does not quite look like the person at the start. For anything longer, cut to a different angle partway through and start a fresh chain there, which is what a real edit would do anyway. A clip that ends on a hard camera move gives you a frame that reads as a mistake when it becomes a static opening frame. End each clip somewhere calm.
Other skills for the same tools
Product photos from one picture
A photo you took on a desk becomes a set of clean shots for a shop listing.
Ad variants in every placement size
Your agent composes each crop separately, with room left for the headline.
A clip from a picture you already have
A still becomes frame one and the model carries on from there.
The same prompt on several models at once
Your agent runs one prompt on four models and lays the results out with what each cost.
A script into a run of clips that cut together
Every shot gets a still first, because a still costs a fraction of a clip.